Reshaping Abstraction | Curator - Adria Arch | Concord Art
Mar
28
to May 12

Reshaping Abstraction | Curator - Adria Arch | Concord Art

  • 37 Lexington Road Concord, MA, 01742 United States (map)
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EXHIBIT DATES: March 28 - May 12, 2024

ARTIST PANEL: Thursday April 4 @ 6pm

EXHIBITING ARTISTS: Jennifer Amadeo-Holl, Adria Arch, Allison Baker, Olivia Baldwin, Lisa Barthelson, Catherine Bertulli, Gregg Blasdel, Steven J. Cabral, Kim Carlino, Donnabelle Casis, Cyrille Conan, Maya Erdelyi, Cadence Giersbach, Kate Hale, Jai Hart, Damien Hoar de Galvan, Vanessa Irzyk, Bonny Leibowitz, Frances Lerner, Beth O’Grady, Destiny Palmer, Katrina Sanchez, Suzan Shutan, Karen Snouffer

GALLERY: 37 Lexington Road | Concord, MA 01742 | 978.369.2578

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Benefit for Visual AIDS | Berry Campbell Gallery | Postcards from the Edge
Jan
20
to Jan 21

Benefit for Visual AIDS | Berry Campbell Gallery | Postcards from the Edge

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POSTCARDS FROM THE EDGE 2024

All Postcards From the Edge proceeds support the programs of Visual AIDS.

Offered on a first-come, first-served basis, each piece is exhibited anonymously, and the identity of the artist is revealed only after the work is purchased.

Now in its 26th year, Postcards From the Edge is known within the art world as the most exciting and affordable way to add to a collection, offering a unique opportunity for buyers to acquire original, postcard-sized artwork for ONLY $100 EACH. 

PREVIEW PARTY - IN PERSON | Friday January 19, 2024 - TICKETS
ONLINE PREVIEW: Friday January 19, 2024 - TICKETS

Since 1988, Visual AIDS has nurtured a community of 945 artists living with HIV and worked to preserve the legacies of those lost to AIDS. We have given $670,000 in direct grants to artists with HIV since 1996. We produce over 130 programs, screenings, and public events annually; have generated 30 publications since 2000; have commissioned 57 short films since 2014 through Day With(out) Art—held annually on World AIDS Day since 1989.

Postcards From the Edge is an opportunity for artists of all backgrounds to connect to the mission of Visual AIDS while sharing their work with new collectors; for collectors to be introduced to new work that moves them; and for our rich community to come together to support artists living with HIV and the legacies of those lost to AIDS.

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Concord Art:  Painting + Sculpture 2024
Jan
11
to Feb 11

Concord Art: Painting + Sculpture 2024

  • 37 Lexington Road Concord, MA, 01742 United States (map)
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Juried by John Colan

John Colan is a Professor at Montserrat College of Art and is Coordinator of the Graphic Design Program. He is the founder of HallSpace Gallery. He has worked as a design consultant for the Danforth Museum of Art, Polaroid Corporation, Tufts University Gallery, and the Somerville Museum.

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Krakow-Witkin Gallery  |  Annual AIDS Auction
Dec
2
10:00 AM10:00

Krakow-Witkin Gallery | Annual AIDS Auction

To Benefit the THE DIMOCK CENTER: BOSTON PEDIATRIC AND FAMILY AIDS PROGRAM. Works of art donated by the artists. Each work available for a $350 donation

The Dimock Center, a private, non-profit agency has been in continuous use as a health facility since its establishment in 1862 as the New England Hospital for Women and Children.

Dimock is Boston’s largest minority-owned, comprehensive community health + human services agency designated as a federally qualified health center caring for a primarily minority, low-income population.

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Krakow-Witkin Gallery  |  Annual AIDS Auction
Nov
26
to Dec 3

Krakow-Witkin Gallery | Annual AIDS Auction

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To Benefit the THE DIMOCK CENTER: BOSTON PEDIATRIC AND FAMILY AIDS PROGRAM. Works of art donated by the artists. Each work available for a $350 donation

The Dimock Center, a private, non-profit agency has been in continuous use as a health facility since its establishment in 1862 as the New England Hospital for Women and Children.

Dimock is Boston’s largest minority-owned, comprehensive community health + human services agency designated as a federally qualified health center caring for a primarily minority, low-income population.

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Krakow-Witkin Gallery  |  Annual AIDS Auction
Nov
27
to Dec 4

Krakow-Witkin Gallery | Annual AIDS Auction

  • Krakow-Witkin Gallery (map)
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To Benefit the THE DIMOCK CENTER: BOSTON PEDIATRIC AND FAMILY AIDS PROGRAM. Works of art donated by the artists. Each work available for a $350 donation

The Dimock Center, a private, non-profit agency has been in continuous use as a health facility since its establishment in 1862 as the New England Hospital for Women and Children.

Dimock is Boston’s largest minority-owned, comprehensive community health + human services agency designated as a federally qualified health center caring for a primarily minority, low-income population.

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LaMontagne Gallery | Figuratively Provincetown
Jan
8
to Feb 6

LaMontagne Gallery | Figuratively Provincetown

Jennifer Amadeo-Holl | Varujan Boghosian, Romolo Del Deo | Salvatore Del Deo | Esteban Del Valle | Joseph Diggs | John Down | Rob Du Toit | Breon Dunigan | Vico Fabbris | Alan Feltus | Bob Henry | Penelope Jencks | Karen Ojala | Richard Pepitone | Jim Peters | Paul Resika | Steven Skollar | Tabitha Vevers | Erika Wastrom | 617-487-3512

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Krakow-Witkin Gallery  |  Annual AIDS Auction
Nov
28
to Dec 5

Krakow-Witkin Gallery | Annual AIDS Auction

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To Benefit the THE DIMOCK CENTER: BOSTON PEDIATRIC AND FAMILY AIDS PROGRAM. Works of art donated by the artists. Each work available for a $350 donation

The Dimock Center, a private, non-profit agency has been in continuous use as a health facility since its establishment in 1862 as the New England Hospital for Women and Children.

Dimock is Boston’s largest minority-owned, comprehensive community health + human services agency designated as a federally qualified health center caring for a primarily minority, low-income population.

Source:: https://galleryschoolhouse.com/july-20-august-8-2018-2/

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Krakow-Witkin Gallery  |  Annual AIDS Auction
Nov
30
to Dec 7

Krakow-Witkin Gallery | Annual AIDS Auction

  • Krakow-Witkin Gallery (map)
  • Google Calendar ICS

To Benefit the THE DIMOCK CENTER: BOSTON PEDIATRIC AND FAMILY AIDS PROGRAM. Works of art donated by the artists. Each work available for a $350 donation

The Dimock Center, a private, non-profit agency has been in continuous use as a health facility since its establishment in 1862 as the New England Hospital for Women and Children.

Dimock is Boston’s largest minority-owned, comprehensive community health + human services agency designated as a federally qualified health center caring for a primarily minority, low-income population.

Source:: https://galleryschoolhouse.com/july-20-august-8-2018-2/

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Boston Center for the Arts | Feelers | The 24th Drawing Show
Oct
9
to Dec 20

Boston Center for the Arts | Feelers | The 24th Drawing Show

The 24th Drawing Show – Feelers
Curator: Susan Metrican considers the possibilities of existing in a two-dimensional reality through drawing’s inherent encounter with flatness.

The exhibition draws its title from Edwin Abbott Abbott’s novel Flatland, a 19th century sci-fi examination of dimensions in which Abbott describes a two-dimensional world occupied by geometric figures. Metrican notes that in this novel, “the squares, octagons, straight lines and so on are all governed by the rules of their flat world, and their behaviors and customs reflect their limited reality as they can comprehend it. In Flatland, to be a ‘feeler’ is to determine one’s surroundings by reaching out to touch it with appendages.” … more text about the Curator & show here

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Howard Yezerski Gallery  |  The Possibles
Sep
7
to Oct 23

Howard Yezerski Gallery | The Possibles

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This series, titled The Possibles, explores the familiarity and strangeness inherent in abstraction, and the potential for simple shapes to trigger memories and emotions. Their first impression should be of simplicity, as when one recognizes a friend from far away by the distinctness of their shape alone, and one's first impression, uncompounded, is, "ah, that is X," and then comes the trickle of reflections, leading to thoughts no longer simple. So that to look again at X on the horizon, or to look again at the painting on the wall, would be to feel that while we may have only glimpsed a bit of matter, a shadow of something, we have also visited a place where image and energy alternately fuse and divide. My hope is to make tender but formidable, paradoxically harmonic paintings that may be inexplicable and yet speak.

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